At this year’s Korrö Folkmusic Festival FPA contributed with two happenings. A workshop mediating tunes with mainly Blekinge material and also one of my “seminar-concerts”, which I held on Thursday night. This time the theme was cultural connections around the Baltic Sea. I was happy to notice that the dark Old Mill (Kvarnen) soon was filled and that there seemed to be quite a crowd outside that couldn’t get in, due to both lack of space and high interest in the subject.
I took the audience on a path through experiences that we in Folk Practice Academy have collected from our projects Baltic Sea Inter Cult, Baltic Trad(e) and Basic – Folk & Tradition. But I also lifted som really interesting details of dance descriptions that Kristin and I have found in the archives of Nordiska Museet and through our meetings with old singers and fiddlers.
The audience showed a dedicated interest in the subject and several of them gave some nice feedback after the session; “This was the best I have ever experienced at Korrö!”, “You have to write a book!”, “This should be made into a film!”
It seems as if the subjects we constantly are poking at fill a need. People have an urge to talk about immaterial heritage. Where do cultural expressions derive from? How can we make a complex picture more understandable? How does geography, time, development, society, political implications, etc colour the way we perceive traditional music? And how can the music we love to play and sing be connected to knowledge allowing questions and discussions to flourish?
With me on stage, I also had my daughter Agnes, who is one of the dedicated youth we have in FPA, and she mastered the Polish drum with excellence while I played a couple of tunes from Suwalki.
I also managed to break a string while retuning, but having fiddlers in the audience is a true bliss. Thank you from all my heart, you anonymous who gave me a new G-string!