folkmusik

#sjungamaj, #folkpractice, #folkpracticeacademy – ethnographic research in local contemporary context

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For this years May singing, the 30 of April as every year, we launched the tags #sjungamaj, #folkpractice, #folkpracticeacademy. Launching a hashtag might seem like an everyday thing, but was really an important step in out work. (Another one for our female religious singing project is #koraleriet )

Here is the three year old start of the public project on May singing. This is a result of Astrid Selling’s own ethnographic research, connected via FPA through projects at Lunds Universitet, Linnéuniversitetet and Högskolan på Gotland.

For the modern ethnographic researcher, social media has many benefits apart from only being a fashionable (and measurable!) way of getting her work known to the public audience. What is more important is the possibilities it gives to collect research data, and to, through a constant dialogue with other people interested in ethnography, folk music, folk art, etc, build mutual confidences around our practice. This is often called field work, and may happen actually in the fields, as on our camps with Krusznia in Poland, or, by the computer. We are pleased and proud to say that this dialogue does currently involve most parts of Europe, and even beyond!!

If you have something you want to share with us – please use the tags for photos/films/music, or mail us at info@folkpractice.com!!

Thanks friends!!

Inför årets majsjungning drog vi igång #sjungamaj, #folkpractice, #folkpracticeacademy. Här är den tre år gamla uppstarten av  den publika satsningen av majsjungningen, vilken är ett resultat av och i konstant dialog med Astrid Sellings etnografiska forskning och arbete!!

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Träskofiol under besök på Stålagården

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Med anledning av den gångna helgens VM i träskofiol hittade vi detta gamla klipp i vårt arkiv. Det är ungdomarna i Baltic Sea Inter Cult som besöker Stålagården i Mörrum, och får en omgivning bland gamla instrument och notböcker.

Dagen avslutades som sig bör hemma hos Astrid på Gamlegården, med köttgryta, pepsi max, och låtspel hela natten!!

#koraleriet

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A short post to inform that  is the tag that links together photos, films and sounds from our sound and choreography project with amazing local  female singers performing ancient local protestant and catholic hymns and psalms!!

Chorale project – final rehearsals coming up

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This weekend yet another practice with the women singing ancient local religious psalms, songs and hymns is taking place. The choir is newborn, and the ladies, handpicked and of all ages and places in Blekinge.

Dreaming big!!

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Dreaming big!!

some workdays are analysing our Swedish singers in a remote corridor at a London airport...
some workdays are analysing our Swedish singers in a remote corridor at a London airport…

All needed on a long train ride is some påskmust and a twohundred year old hymn book!! We are looking forward to see where our group’s ideas might take us! Next time we’re on stage!!

Back later with films and pictures!

Yours sincerely,

Kristin & Astrid

Young people and archive material

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Here is a short film from one of our archive sessions with young musicians in southern Sweden. The film shows that archives can offer a little of each. Who knew that there were ancient rap musicians in Blekinge back in the days…


Singing and playing instruments as a form of technology

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With a few days’ distance to sonADA 2015 | Theme: MESS (http://sonada.org/sonADA2015/), I have the opportunity to sit down and share som of my thoughts.

The festival invitation said “If music is organized sound, composing really starts by identifying chaotic elements. sonADA invites and challenges artists to showcase mess of their own.”, and I made two contributions. On the opening night of the festival, at the 17 Art Gallery in Aberdeen, Scotland, (https://www.list.co.uk/place/52799-seventeen/) I took part in a panel discussion as one out of three female composers/performers. With lively input from the audience, we talked about our backgrounds, but also if and how embodiment, and the aspect of gender/femininity, has impact on our creative and scientific work. My own contribution did, as always, start with some live singing. A little microtonality, and asymmetrical beats here and there sure wake up most audiences! It is a fine and thought provoking experience that when travelling abroad with the music that is closest and most intuitive to you, like a “nonsense song” or a lullaby you learned as a small child, musicians with decades of formal music education could make comments like “that must be difficult!” Yes, it is, and no, it’s not!

My talk was mainly on how singing and playing instruments are not only something you do in your spare time, but how the performative act of making live acoustic music is actually a form of technology in itself. Lots of discussions circled around what could be said to be a musical piece, regarding tradition. A very good question – please fell free to make comments here! (in any language, as always!)

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The second contribution was giving a performance together with my English Aberdeen colleague Nathan Bissette (http://www.serg-aberdeen.net). We have worked together for years, around performing and composing traditional, as well as classical and electronic music. We were invited as two separate composers, but chose to collaborate on a longer piece, made for this special occasion. It was a nice crowd, and we were prepared with our two chairs, the floor, a scarf, a computer, a guitar and two voices. The reception was very good, and people were singing along – as we encouraged them to, despite that this was not the typical folk audience that are used to that.

I left the festival with many good impressions, and an increased courage and interest in continuing to work for highlighting the multi-dimensional skills it takes being a traditional musician!

Tack för er stund!!

Kristin, PhD student at Elphinstone Institute (https://www.abdn.ac.uk/elphinstone/)

(http://www.abdn.ac.uk/staffnet/profiles/r01keb12)

Folkmusik in i framtiden

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Folkmusiken är ingen död företeelse för omvårdnad. Det är förvaltning och utveckling för framtiden. I allt vi gör här i sydöstra hörnet och tillsammans med våra kollegor i Estland och Polen finns denna tanke. Men vi är också aktiva på nationell nivå. FPA representeras inte bara i Sverige Spelmäns Riksförbunds styrelse, utan även i fördelningsgruppen i Riksförbundet för Folkmusik och Dans. I den sistnämnda har FPA fått en lite speciell roll; som en aktiv part i visionsarbetet genom att lägga upp processer och moderera workshops för en kärngrupp i förbundet.

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Visionshelg nummer två hölls nu i helgen i Stim-huset på Hornsgatan i Stockholm. Då håvade vi in alla idéer som värktes fram under visionshelgen i september, för att gör om dessa till aktiviteter och prioritera dessa efter behov, tid och genomförande. Det blev en mycket givande helg. Att gå från kaos till ordning är inte bara spännande utan också tillfredsställande.

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Med på visionshelgen var styrelsemedlemmar i RfoD, som alla är aktiva med att arrangera folkmusik från norr till söder, samt medlemmar hur fördelningsgruppen och ungdomsföreningen Folk You.

Söndag morgon begav jag mig upp i Tantolundens koloniområde och lyckades fånga i kameran lite av vad folkmusik in i framtiden handlar om. Gamla spår av spännande uttryck som siktar på nya uttryck som kanske inte alltid är helt nya, men i alla fall strävar efter att ta nya perspektiv.

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